Articles, Essays

The New Folk Medium

People’s consumption of the media has always tended towards the passive. The classic passive media activity being watching tv - you know, the old couch potato, surfing the channels, that kind of thing. There are those who have said that’s how it’s meant to be: that we’re supposed to mindlessly consume what ever the media throws at us so that both the consumer society and the status quo are maintained. Feel free to interpret that as a conspiracy theory if you like. Personally, I consider it a given. Outside of Media Studies courses and the small amount of scholarly analysis of film and pop culture that goes on, I think that’s mainly the way it is.

The internet could go the same way, if it gets regulated, commercialised and censored - and all the other bad things that governments and vested interests seem to want to do to it to control it. But, actually, I’m hopeful. It’s a rather young medium, still growing, still proving itself. And most of all I see a lot creative, individual and community-grown ideas being generated by it. It’s full of sites, newsgroups and mailing lists that take an active/critical/creative response to the media, rather than a passive one. And that’s what Media Studies is all about.

Take something like fan fiction, for example. That’s when fans of particular genres, movies and tv shows start writing their own episodes, stories, poems, etc, and present them online for other fans’ perusal and enjoyment. Of course, sometimes they’re good, sometimes they’re bad; but they’re all vital examples of an active approach to what was previously considered the domain of ‘the professionals’. Think you'd like to try writing your own episode of say, the X Files? Or how about Xena, Warrior Princess? There's plenty of people doing it.

The X Files is the classic example. Sites like ‘X Files Fan Fiction Links’ and ‘X Philes Finis Romantics Society Literary Vault’ have all the fiction and links you need if you're a budding Files scribe. It's amazing how diverse 'Philes Phiction' is, with whole sub-categories dedicated to different story threads, like the 'Oncology Ward thread' (ie: stories involving Scully's cancer), and the very popular 'Shipper thread' (ie: stories about a possible relationship between Mulder and Scully).

Then there’s the mailing lists and newsgroups that offer people the opportunity to engage in in-depth discussions about their favourite tv shows, bands or whatever topic on the internet. It's surprising and enlightening to see the range and depth of knowledge that people display on these things. Take, for example, the ‘X Files Mailing Lists’ site (okay, I admit it, I’m a fan!). This show has some substance, and now in its fifth season it has had enough history to generate a phenomenal amount of discussion that's everything from erudite and arcane to just plain silly. You can find out at one of this site’s many mailing lists who Mel Cooley is (a brief reference from the Pusher episode), or you can read entire episode reviews by fans (or write your own). Watch the feeding frenzy as new episodes are shown and those fans get scribbling.

But all of this is nothing when compared to the kind of critical and creative energies Star Trek fans have been capable of, presumably in the pursuit of creating a future just like that of the Star Trek universe (or at least of living it in some way in their present). Most interesting are the various Star Trek ‘rings’ that populate the web, where like-minded fans have set up interconnected sites that celebrate whatever aspect of the Trek universe they’re fascinated with. Some have even created their own Starfleet histories, captaining their own spaceships, accepting and interacting with new members as fellow officers and crewmates, going on ‘adventures’, and generally indulging in some kind of obsessive fan behaviour psycho-analysis therapy that often combines fan fiction, analysis and photo manipulation.

Information and popular culture is mutating and exploding with the help of the internet’s greater interactivity. People are participating in it - and changing it - in ways that were previously unheard of. Pardon me for sounding Utopian, but the internet is the new folk medium. I’m not quite sure where all this will end, but I know it’s a more creative and imaginative (and healthy) way to deal with ‘what’s out there’ than letting it all be controlled by ‘the professionals’. Here’s to the death of the couch potato.

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